TS. “The Embassy of Cambodia” by Zadie Smith, found in New Yorker, Feb. 11 & 18, 2013
TS. “Seven Stories about Kenel of Koulèv-Ville” by Kyle Minor, found in The Iowa Review, Vol. 42, No. 3, Winter 2012/13
Both of these stories employ numbers to break up the
narrative sequence. In Smith’s case, it
allows for a series of disconnected brief scenes. Settings, characters, and images repeat, so
it’s not as though the scenes are entirely disconnected, but rather the “flow”
of the plot and conventional development of tension is replaced by repetition
with difference. In fact, if anything,
this method allows for more connection than a conventional narrative, rather
than less. For Minor, as the title
implies, the seven stories are seven stories, which means that seven “short
shorts” involving the same characters, settings, tone, and some shared imagery,
combine together to create the one complete short story—though in Minor’s case
the seven sections are themselves clearly stories with the basic beginnings,
middles, and ends.
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